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DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

Screen Shot 2014-11-11 at 6.45.13 PM

Screen Shot 2014-11-11 at 6.53.56 PMScreen Shot 2014-11-11 at 6.53.29 PM

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

DIE ANTWOORD- UGLY BOY (DIR. BY NINJA) FT. CARA DELEVIGNE

emerson tavares, hip hop drummer toronto


Emerson Tavares is a prominent hip hop drummer hailing from Toronto. We asked him a few questions to see what he’s about.
 
How long have you been drumming for?

I’ve been drumming for about 9 years now pushing 10 Right now
 
What have you been working on lately?

I’m working with Camm Hunter From DWW we got some shows coming up next month.
 
Your mixtape featured electro as well as hip hop, are there any other genres you dabble in? Any hardcore rock?
Yea I grew up playing rock music listened to bands like the red hot chill peppers, rage against the machine, stuff like that wasn’t really into hardcore metal growing up, not a fan of double kick..
 
How many takes do you need to put together a remix?

when I’m putting a remix toget in all honestly I hear it in my head Nd then I just do it. I’ll record 3 takes played through. Then I pick which 1 I like more outta the 3 takes.
 
What are some records you’ve played on?

I’ve played on a bunch growing up being in a band and all bit a big record I’m proud to be apart of is a record called SuperBangerWockeez. The dance crew the Jabbawockeez has an album called Prism and that records on it.
 
Any exciting memories/stories as of late worth sharing?

Man I got a bunch of stories, maybe the next interview I’ll get into more detail with that

 
Any upcoming shows?
upcoming dates I’ll be performing with Camm Hunter
dates may 8th London May 15th Toronto May 23 Montreal

pauline hoarau

pauline hoarau

pauline hoarau

pauline hoarau

pauline hoarau

pauline hoarau

Pauline Hoarau is the focus for this week’s Girl Crush Sunday. She is a high fashion runway model whom has been the focus of Dolce & Gabbana and the winner of Elite Model Look.

yohiji yamamoto winter 2014 2015yohiji yamamoto winter 2014 2015yohiji yamamoto winter 2014 2015yohiji yamamoto winter 2014 2015 yohiji yamamoto winter 2014 2015yohiji yamamoto winter 2014 2015yohiji yamamoto winter 2014 2015yohiji yamamoto winter 2014 2015

Yohiji Yamamoto’s latest men’s collection debuts shabby chic layering and bold rock and roll as well as floral graphics. His choice of models on the runway were unconventional and ranged from urban youth to vagrant-esque aging men. There was a certain Les Miserables appeal to the whole affair. The floral overcoats were a favourite of mine and reminded me of Yohiji’s original philosophy of designing men’s clothes for women to wear. ““When I started making clothes for my line Y’s in 1977, all I wanted was for women to wear men’s clothes. I jumped on the idea of designing coats for women. It meant something to me – the idea of a coat guarding and hiding a woman’s body. I wanted to protect the woman’s body from something – maybe from men’s eyes or a cold wind.” This collection is successful in delivering a form of street wear fashion that has a contemporary couture edge. The nuances of pattern and the form in which they fill achieves the quality of a beautiful suit with the comfort of an over sized hoodie. Zipper details further the feeling of pre-worn by creating the appearance of tears in the fabric, without having to damage the garment in order to achieve the look. I consider this to be a beautiful collection and I think that Yohiji outdid himself this year.

dolce and gabbana medieval 2013 2014 royal crown lorde

dolce and gabbana medieval 2013 2014 royal crown pauline hoarau

dolce and gabbana medieval 2013 2014 royal crown pauline hoarau

Model-Pauline-Hoarau-video-interview-backstage-Dolce-and-Gabbana-Spring-Summer-2014-cover

Noticing Nuances in the motifs Pauline Hoarau wears on the Dolce and Gabbana Spring 2014 catwalk made me reconsider an issue close to heart. Was Fall 2013 not the greatest story ever told in the world of fashion? Graced by musical effigies Katy Perry to Lorde, and lustfully pined for by yours truly Christie Saint Toffee, the medieval collection came close to the likes of Alexander McQueen’s final insect(ual) display.

From guilded crowns to Byzantine mosaics, the details were stupendous.. I remember dreamily gazing into the storefront window on Bloor Street in Toronto wondering how far off my own crowning moment might be. There is something incredibly heartwarming in the world of fashion’s ability to forgive itself of innovation and return to the days before couture held the same significance. Without a doubt fashion of this fine quality still belongs to the lucky few, Lorde’s Royals, but there were a time when even the simplest of garments were constructed by hand with care. This disposable culture of fashion consumption neglects to honor the magic of the inspired hands and all that they may accomplish. We export the production of synthetic clothing into the ghettos of the world and replace the character of the one who made it with a flimsy label which becomes dated and replaceable almost as quickly as it was printed.

The collection was iconic in the truest sense of the word. Intended for photo moments. As valuable gazed upon as the model whom is adorned by it. Remarkable, memorable, and most significantly, mindful of the times.

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