The point is to establish an eye for balance – prior to attempting a studio light composition that has to start with colour (to prevent blending with black.)
I find it burns a lesson into the back of my head.
The point is to establish an eye for balance – prior to attempting a studio light composition that has to start with colour (to prevent blending with black.)
I find it burns a lesson into the back of my head.
Artist & Muse (1883-1956) Walking With Marie in Paris From the moment you step out of the metro in Montmartre, where the art deco gates with their hand letter signs bend and glow with the same whimsy as you imagine the fantastical era the world glimmered with in the early age of electric lights of (continue reading…)
View this post on Instagram A post shared by The Arcade Diary (@arcadediary) This early September I made my first pilgrimage to the place where Picasso and his friends, Apollinaire and Stein, Giroult and Fernande and Marie would often meet. Just around the corner from this cobblestone hillside staircase landing, where the city quickly slopes (continue reading…)
James Bowman, Counter-Tenor in his role as Oberon in the 1967 production by Benjamin Britten of of A Midsummer Night’s Dream. James Bowman, as Oberon with Tatiyana in the 1981 Production of A Midsummer Night’s Dream directed by Peter Hall at Glyndeborne. Last Sunday the heavy wooden doors of Trinity St. Paul’s were opened to (continue reading…)
